The Panton Chair in particular was seen as being sleek and curvaceous. After moving to Switzerland in the early 1960s, the Danish designer became known for his inventive, novel ideas for furnishings, lighting and textiles. The Panton Chair has received numerous international design awards and is represented in the collections of many prominent museums. The first rather heavy model, which required substantial finishing work, was subsequently improved and adapted to industrial production using thermoplastic polystyrene which led to a marked reduction in cost. The photograph by Nick Knight also included a naked Kate Moss. It became known as a free-swinger. The chair was included in the 2006 Danish Culture Canon. Verner Panton was an influential figure in the development of design during the 1960s and ’70s. The original version of the chair in rigid polyurethane foam with a glossy lacquer finish is marketed under the name Panton Chair Classic. It was varnished in seven colors. , Panton made a series of sketches and design drawings for the Panton Chair in the 1950s. , The idea of designing a stackable plastic chair was first expressed by the German architect and designer Ludwig Mies van der Rohe before the Second World War. , In 1979, however, production was halted as it became apparent that polystyrene (reference required, as in the previous section polyurethane was mentioned as the material from 1968 to 1979) was not sufficiently durable and began to look shabby over time. The masterful use of colour was a hallmark of his work.  Perhaps the chair's most famous appearance was in January 1995, when it was featured on the cover of the British edition of Vogue. It currently forms part of the permanent collections some of the world's most famous design museums including, New York's Museum of Modern Art, London's Design Museum, Berlin's German Historical Museum and Copenhagen's Danish Museum of Art & Design. It was the first chair to be manufactured completely out of plastic in one single piece. Emmanuel de Bayser: A portait of a Prouvé collector, Karin Sander: Living and working in her studio. Finally, in 1999, Vitra used polypropylene for manufacturing the Panton Plastic Chair in a variety of colours. One of the earliest models is now in the collection of the Museum of Modern Art in New York. The world's first moulded plastic chair, it is considered to be one of the masterpieces of Danish design. Emmanuel de Bayser: A portait of a Prouvé collector, Karin Sander: Living and working in her studio. When it was unveiled in the Danish design journal Mobilia in 1967, it caused a sensation. The Panton Chair (Danish: Pantonstolen) is an S-shaped plastic chair created by the Danish designer Verner Panton in the 1960s. Working closely with Fehlbaum, Panton produced a cold-pressed model using polyester strengthened with fibreglass. The chair was included in the 2006 Danish Culture Canon. Verner Panton was one of the most influential figures in the development of design during the 1960s and ’70s. The Panton Chair (Danish: Pantonstolen) is an S-shaped plastic chair created by the Danish designer Verner Panton in the 1960s. The original version of the chair in rigid polyurethane foam with a glossy lacquer finish is marketed under the name Panton Chair Classic. His aim was to create a comfortable chair made in one piece that could be used anywhere. Together they developed the Panton Chair, which was first presented in 1967. Since its introduction to the market, it has advanced through several production phases. The world's first moulded plastic chair, it is considered to be one of the masterpieces of Danish design. In 1960, he created his first model, a plaster-cast, in collaboration with Dansk Akrylteknik. The Panton Chair is a classic in the history of furniture design. It can be used individually or in groups and is suited for indoor and outdoor environments. Referring to the 50th anniversary of the Panton Chair, Marianne Panton talks about living with her husband, the creation of the chair icon and the two limited editions Panton Chrome and Panton Glow from 2018. Referring to the 50th anniversary of the Panton Chair, Marianne … The material used was Baydur, a high-resilience polyurethane foam produced by Bayer in Leverkusen, Germany. For the first time, an entire chair had been designed in one piece, without any legs. The history of the Panton Chair dates back to the latter half of the 1950s, when Danish designer Verner Panton developed the idea of a plastic cantilever chair. From the early 1950s, Panton too had dreamt of making a stackable, cantilevered plastic chair all in one piece. It was hailed as a sensation and received numerous prizes. After searching for a manufacturer for several years, Panton came into contact with Vitra in 1963.  However, manufacturers did not want to … It is said he had been inspired in particular by a neatly stacked pile of plastic buckets. Only since 1999 has it been possible to produce the chair in accordance with its original conception – out of durable, dyed-through plastic with a lustrous matt finish.The comfort of this chair results from the combination of a cantilever structure with an anthropomorphic shape and a slightly flexible material. Verner Panton was an influential figure in the development of design during the 1960s and ’70s. After moving to Switzerland in the early 1960s, the Danish designer became known for his inventive, novel ideas for furnishings, lighting and textiles. Four years later, the model was again produced as the Panton Chair Classic, this time in the rather more expensive polyurethane structural foam. Conceived by Verner Panton in 1960, the chair was developed for serial production in collaboration with Vitra (1967). He saw it as an item of furniture in which the back, seat and legs were made of the continuous piece. Today the Panton Chair is regarded as a classic of modern furniture design. Pre-series production of the Panton Chair commenced in 1967. Conceived by Verner Panton in 1960, the chair was developed for serial production in collaboration with Vitra (1967). , Panton was a contributor to the development of sleek new styles reflecting the "Space Age" of the 1960s which became known as Pop Art. , Vivi Sjøner, "Panton Chair – verdens første", Kate Watson-Smyth, "The Secret History Of: The Verner Panton S Chair", Michael Johnson, "Verner Panton: Genius of Danish Design Part 2", Stacey Cosens, "Verner Panton is considered to be one of Denmark’s most influential furniture designers, creating fun, innovative and futuristic pieces", "Verner Panton: Official Reference Portal", https://en.wikipedia.org/w/index.php?title=Panton_Chair&oldid=968027724, Articles with Danish-language sources (da), Creative Commons Attribution-ShareAlike License, This page was last edited on 16 July 2020, at 19:38. The Panton Chair is a classic in the history of furniture design. Due to its expressive form, it has become an icon of the twentieth century.  In 1968, Vitra initiated serial production of the final version which was sold by the Herman Miller Furniture Company. , Over the years, the Panton Chair, initially known as Panton's S Chair, has been widely exhibited in Denmark and abroad. The masterful use of colour was a hallmark of his work. In 1956, he designed the S Chair which can be considered a forerunner of the Panton Chair. It was first produced in 1965. Along with his experimental approach to forms and colours, he was captivated by the potential of plastic, a novel material at the time.  In the mid-1960s, he met Willi Fehlbaum from the furniture manufacturer Vitra who, unlike many other producers, was fascinated with the drawings of his legless chair in plastic rather than wood, the favoured material of the times. It was the first chair to be … In 1970, it was featured in the British fashion magazine Nova with a sequence of shots illustrating "How to undress in front of your husband".
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